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Formats, Dolby Vision and quality

What photon plays without converting, how the quality ceiling works, and which three formats need Pro.

Photon asks your server for the file as it is and plays it as it is wherever it can, including formats Apple’s own player cannot open. Nothing is re-encoded, so no quality is lost and your server is not left transcoding.

What plays as it is

VideoHEVC, H.264, VP9 and AV1.
HDRDolby Vision profiles 5, 7 and 8.1, HDR10, HDR10+ and HLG, where the display supports them.
ContainersMKV, MP4, MOV and TS.
AudioDolby Atmos, Dolby Digital Plus, TrueHD, DTS-HD Master Audio, AAC, ALAC, FLAC and Opus.
SubtitlesPGS, VobSub, SubRip, ASS/SSA and WebVTT.

The three ways a title can reach the player

Which one you get is decided per title, and Playback Stats on a Mac names it while the title is playing.

Sent as it isThe file arrives untouched and photon plays it. Nothing is converted anywhere.
RemuxedThe tracks arrive untouched, and photon repackages them on the device so the system player will accept them. This is how an MKV plays without a server transcoding it. The picture and the sound are the file’s own.
Re-encodedThe server makes a smaller copy as it sends. This happens when you have set a quality ceiling the file is above, or when the server refuses to hand over the original.

Dolby Vision

Dolby Vision is on by default and used wherever the display supports it.

Some displays handle HDR10 better than Dolby Vision. To play those titles as HDR10 instead:

  1. Open Settings ▸ Playback.
  2. Under Picture, turn Dolby Vision off.

The file is unchanged either way. This only decides which of the two the title is presented as.

An episode page on Apple TV: 4K, Dolby Vision and 5.1 badges under the title, and a Version row reading 2160p HEVC Dolby Vision.

The badges under a title’s name say what the file is, and the Version capsule says the same for the copy you are about to play. If a title has more than one version, the capsule is where you choose between them.

The quality ceiling

Settings ▸ Playback ▸ Quality sets the most a title may use. It runs from Original down through fifteen steps, each naming a bitrate and a picture size: 60 Mbps at 4K, 20 Mbps at 1080p, 2 Mbps at 720p, 0.4 Mbps at 360p, and so on.

The Transcoding menu open on Apple TV: Original is ticked, with 60, 40 and 30 Mbps at 4K and 20, 12, 10 and 8 Mbps at 1080p below it.

Three things are worth knowing:

  • It is a ceiling, not a target. A title already below it plays untouched.
  • Only a title above it is re-encoded, and it is your server that does the work.
  • A server that cannot re-encode ignores the setting and sends the original.

Leave it on Original unless your connection cannot carry your files.

Which formats need Pro

Three, and photon names the file’s own property first so you can check it:

  1. 4K and above. The message names the picture, such as 4K or 8K.
  2. MKV, however the source spells the container.
  3. A Dolby TrueHD or DTS soundtrack. One such track among several is enough.

Everything else plays free, with as many servers as you connect.

Two exceptions. The first five plays of a Pro format are free, and a file you opened yourself on a Mac, iPhone or iPad is never limited by your plan.

When a device cannot decode something

What a device can decode and present is a fixed limit, and it is not the same on every device. Where photon cannot give you the best version of a file it says what you are getting instead, rather than failing silently. Playback Stats shows both: what the file holds, and what the device resolved it to.

Didn't find what you need?

Email us. Include the app version from Settings ▸ About, the device you are using, and which server or drive it happened with.

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